西方经济名词解释:对于美国诗人威廉·卡洛斯·威廉斯的评论,英汉都可以

威廉·卡洛斯·威廉斯（William Carlos Williams1883-1963）是20世纪美国最负盛名的几个诗人之一。威廉斯在谈到《荒原》的面世对他个人的影响时说：“对于我，它特别像迎面射来的一颗嘲笑的子弹。我立刻感到它使我后退了20年，我相信的确如此。”在另一处威廉斯把《荒原》的发表看作是诗坛上的晴天霹雳，说“它好像是原子弹落下来，把我们的世界炸开，我们向未知领域作的种种勇敢的突击被化为灰尘”。艾略特以诗歌创作开辟了西方现代诗坛，以他的美学思想创建起来的英美新批评理论更是雄霸英美诗评论坛和大学文学讲堂长达30年之久。然而威廉斯却认为艾略特是在向后看，同时认为自己应该向前看，即他希望自己能够创作出纯粹美国化的诗歌以抵抗艾略特的创作路线。
　　威廉斯的父亲是英国人，父母移居美国，他算是生在美国的第一代美国人，他终生是个职业医生，重临床、重器械，职业与出身造就了这是个现实味十足的诗人。威廉斯不好张扬传统与观念上的东西，不愿意去讴歌欧洲传统和文明，也反对精英意识，认为诗歌必须走出象牙之塔回到现实。威廉斯认为只有坚持美国本土精神才是他所要追求的艺术道路。他的这种反欧洲传统文化的思想表现在他提倡的“只有新的，才是好的”的美国化诗歌理念，而他的另一名言“没有观念，除非在事物中”，更是高度概括地表达了威廉斯的诗歌创作原则：丢弃传统回归生活，用简洁明了的意象来表达思想。威廉斯的名篇《红色手推车》就是在试图与艾略特的诗歌观念背道而驰，提倡重新回到现实生活的创作思想指导下于1923年完成的。

William Carlos Williams burned in 1883 September17th. He died in 1963 march forth. He was an American poet and novelist. He came from a business family. He graduated from the university of Pennsylvania in 1906 and he got the MD degree as well. After that he went to the Leipzig Germany University of Education. When 1909 he back home and to be the doctor. Until 1951 he just have a rest. Poetry is just his amateur activities.
His poetic style is very close to the Imagist, and inherited the romantic tradition. He is to insist on the use of spoken, clear and concise description of image, a loose phrase, against the complex and heavy too dense internal structure and obscure symbolic system. He thought “to things, not the concept”. He believed that daily life rough, ugly, ordinary things could be poems; writing speed should be fast in order to make the sounds of nature-to-nature documentaries. He also stressed that the United States style, the language of ordinary Americans, written subject matter, the establishment of the United States the local characteristics of poetry. He said: "I believe that all art from local produce, and must be so, because our senses to find material. There are many critics have argued that Williams and Ezra Pound is the greatest poet of influence on contemporary American poetry