韩国专柜和免税店价格:高手+热心肠 请进!!!!!!!!谢谢 急 急 急!!!!!

玛雅．安杰洛（Maya , Angelon）曾说过：「人只能就自己知道的去做，你若懂得愈多，就做得愈好」。
Maya Angelou was born Marguerite Anne Johnson on April 4, 1928, in St. Louis, Missouri. Her older brother, Bailey Johnson, Jr., could not pronounce her name when he was little, so he called her Mya Sister, then My, which eventually became Maya. When Angelou was three years old, her parents divorced and sent their children to live in the rural, segregated town of Stamps, Arkansas, with their paternal grandmother, Annie Henderson. During their teens, they lived with their mother, Vivian Baxter, in California. At the age of fifteen, Angelou began her career as a civil-rights activist of sorts. She battled racism with dogged persistence and succeeded in becoming the first African American hired to the position of streetcar conductor in San Francisco.

Angelou has remained a civil-rights activist throughout her life. At Dr. Martin Luther King, Jr.’s request, Angelou became the northern coordinator for the Southern Christian Leadership Conference in the 1960s. Presidents Gerald Ford and Jimmy Carter also respected her leadership qualities. Ford appointed her to the American Revolutionary Bicentennial Advisory Commission, and Carter appointed her to the National Commission on the Observance of the International Woman’s Year. At President Bill Clinton’s request, she wrote and delivered a poem, “On the Pulse of Morning,” for his 1993 presidential inauguration, becoming only the second poet in American history to receive such an honor.

Maya Angelou’s work in the arts includes writing, film, and theater. She moved to New York and earned a role in the Gershwin opera Porgy and Bess. Along with the rest of the cast, she toured nearly two-dozen countries in Europe and Africa from 1954 to 1955. After marrying a South African freedom fighter, Angelou lived in Cairo, Egypt, for several years, where she edited an English-language newspaper. Later, she taught at the University of Ghana and edited the African Review.
Angelou often shared stories about her unusual, intense, and poignant childhood, and her friends and associates encouraged her to write an autobiography. In 1969, Angelou published I Know Why the Caged Bird Sings, the first in a series of autobiographical works. It quickly became a best-seller and was nominated for the National Book Award. Angelou’s Georgia, Georgia became the first original screenplay by a black woman to be produced and filmed. Just Give Me a Cool Drink of Water ’fore I Die, a collection of poetry, was nominated for the Pulitzer Prize. Angelou was also nominated for an Emmy award for her performance in the film adaptation of Alex Haley’s Roots. By 1995, she had spent two years on The New York Times Paperback Nonfiction Bestseller list, becoming the first African American author to achieve such success.

Out of her five autobiographies, I Know Why the Caged Bird Sings is probably Angelou’s most popular and critically acclaimed volume. The book is now frequently read as a complement to fictional works that delve into the subject of racism, such as Harper Lee’s To Kill a Mockingbird and Ralph Ellison’s Invisible Man. It has often been cut from reading lists because it involves honest depictions of Angelou’s sexuality and her experience of being raped as a child. She wrote I Know Why the Caged Bird Sings at a time when autobiographies of women, and particularly black women, had begun to proclaim women’s significance in the mainstream as thinkers and activists. Angelou’s book conveys the difficulties associated with the mixture of racial and gender discrimination endured by a southern black girl. At the same time, she speaks to many other issues, such as the relationships between parents and children, child abuse, and the search for one’s own path in life.
我知道为什么笼中的鸟儿会唱歌
A free bird leaps on the back of the wind
and floats downstream till the current ends
and dips his wing in the orange suns rays and dares to claim the sky.

But a bird that stalks down his narrow cage
can seldom see through his bars of rage
his wings are clipped and his feet are tied so he opens his throat to sing.

The caged bird sings with a fearful trill
of things unknown but longed for stil
and his tune is heard on the distant hill
for the caged bird sings of freedom.

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied so he opens his throat to sing.

The caged bird sings with a fearful trill
of things unkonwn but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.

诗歌:I know why the caged bird sings - Maya Angelou

A free bird leaps on the back of the wind
and floats downstream till the current ends
and dips his wing in the orange suns rays and dares to claim the sky.

But a bird that stalks down his narrow cage
can seldom see through his bars of rage
his wings are clipped and his feet are tied so he opens his throat to sing.

The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied so he opens his throat to sing.

The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.

作家简介:
Maya Angelou was born Marguerite Annie Johnson in St. Louis, Missouri. Her parents divorced when she was only three and she was sent with her brother Bailey to live with their grandmother in the small town of Stamps, Arkansas. In Stamps, the young girl experienced the racial discrimination that was the legally enforced way of life in the American South, but she also absorbed the deep religious faith and old-fashioned courtesy of traditional African American life. She credits her grandmother and her extended family with instilling in her the values that informed her later life and career. She enjoyed a close relationship with her brother, who gave her the nickname Maya when they were very young.

At age seven, while visiting her mother in Chicago, she was sexually molested by her mother's boyfriend. Too ashamed to tell any of the adults in her life, she confided in her brother. When she later heard the news that an uncle had killed her attacker, she felt that her words had killed the man. She fell silent and did not speak for five years.

Maya began to speak again at 13, when she and her brother rejoined their mother in San Francisco. Maya attended Mission High School and won a scholarship to study dance and drama at San Francisco's Labor School, where she was exposed to the progressive ideals that animated her later political activism. She dropped out of school in her teens to become San Francisco's first African American female cable car conductor. She later returned to high school, but became pregnant in her senior year and graduated a few weeks before giving birth to her son, Guy. She left home at 16 and took on the difficult life of a single mother, supporting herself and her son by working as a waitress and cook, but she had not given up on her talents for music, dance, performance and poetry.

In 1952, she married a Greek sailor named Tosh Angelos. When she began her career as a nightclub singer, she took the professional name Maya Angelou, combining her childhood nickname with a form of her husband's name. Although the marriage did not last, her performing career flourished. She toured Europe with a production of the opera Porgy and Bess in 1954 and 1955. She studied modern dance with Martha Graham, danced with Alvin Ailey on television variety shows and recorded her first record album, Calypso Lady (1957).

She had composed song lyrics and poems for many years, and by the end of the 1950s was increasingly interested in developing her skills as a writer. She moved to New York, where she joined the Harlem Writers Guild and took her place among the growing number of young black writers and artists associated with the Civil Rights Movement. She acted in the historic Off-Broadway production of Jean Genet's The Blacks and wrote and performed a Cabaret for Freedom with the actor and comedian Godfrey Cambridge.

In New York, she fell in love with the South African civil rights activist Vusumzi Make and in 1960, the couple moved, with Angelou's son, to Cairo, Egypt. In Cairo, Angelou served as editor of the English language weekly The Arab Observer. Angelou and Guy later moved to Ghana, where she joined a thriving group of African American expatriates. She served as an instructor and assistant administrator at the University of Ghana's School of Music and Drama, worked as feature editor for The African Review and wrote for The Ghanaian Times and the Ghanaian Broadcasting Company.

During her years abroad, she read and studied voraciously, mastering French, Spanish, Italian, Arabic and the West African language Fanti. She met with the American dissident leader Malcolm X in his visits to Ghana, and corresponded with him as his thinking evolved from the racially polarized thinking of his youth to the more inclusive vision of his maturity.

Maya Angelou returned to America in 1964, with the intention of helping Malcolm X build his new Organization of African American Unity. Shortly after her arrival in the United States, Malcolm X was assassinated, and his plans for a new organization died with him. Angelou involved herself in television production and remained active in the Civil Rights Movement, working more closely with Dr. Martin Luther King, Jr., who requested that Angelou serve as Northern Coordinator for the Southern Christian Leadership Conference. His assassination, falling on her birthday in 1968, left her devastated. With the guidance of her friend, the novelist James Baldwin, she found solace in writing, and began work on the book that would become I Know Why the Caged Bird Sings. The book tells the story of her life from her childhood in Arkansas to the birth of her child. I Know Why the Caged Bird Sings was published in 1970 to widespread critical acclaim and enormous popular success.

Seemingly overnight, Angelou became a national figure. In the following years, books of her verse and the subsequent volumes of her autobiographical narrative won her a huge international audience. She was increasingly in demand as a teacher and lecturer and continued to explore dramatic forms as well. She wrote the screenplay and composed the score for the film Georgia, Georgia (1972). Her screenplay, the first by an African American woman ever to be filmed, was nominated for a Pulitzer Prize.

Angelou has been invited by successive Presidents of the United States to serve in various capacities. President Ford appointed her to the American Revolution Bicentennial Commission and President Carter invited her to serve on the Presidential Commission for the International Year of the Woman. President Clinton requested that she compose a poem to read at his inauguration in 1993. Angelou's reading of her poem "On the Pulse of the Morning" was broadcast live around the world.

Since 1981, Angelou has served as Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. She has continued to appear on television and in films including Poetic Justice (1993) and the landmark television adaptation of Roots (1977). She has directed numerous dramatic and documentary programs on television and directed her first feature film, Down in the Delta, in 1996.

The list of her published works now includes more than 30 titles. These include numerous volumes of verse, beginning with Just Give Me a Cool Drink of Water 'Fore I Die (1971). Books of her stories and essays include Wouldn't Take Nothing For My Journey Now (1993) and Even the Stars Look Lonesome (1997). She has continued the compelling narrative of her life in the books Gather Together in My Name (1974), Singin' and Swingin' and Gettin' Merry Like Christmas (1976), The Heart of a Woman (1981), All God's Children Need Traveling Shoes (1987) and A Song Flung Up to Heaven (2002).

In 1991, 1994 and 1997, Maya Angelou participated in a series of live broadcasts for Achievement Television in which she took questions submitted by students from across the United States. The interview with Maya Angelou on this web site has been condensed from these broadcasts.

Maya Angelou was born Marguerite Anne Johnson on April 4, 1928, in St. Louis, Missouri. Her older brother, Bailey Johnson, Jr., could not pronounce her name when he was little, so he called her Mya Sister, then My, which eventually became Maya. When Angelou was three years old, her parents divorced and sent their children to live in the rural, segregated town of Stamps, Arkansas, with their paternal grandmother, Annie Henderson. During their teens, they lived with their mother, Vivian Baxter, in California. At the age of fifteen, Angelou began her career as a civil-rights activist of sorts. She battled racism with dogged persistence and succeeded in becoming the first African American hired to the position of streetcar conductor in San Francisco.

Angelou has remained a civil-rights activist throughout her life. At Dr. Martin Luther King, Jr.’s request, Angelou became the northern coordinator for the Southern Christian Leadership Conference in the 1960s. Presidents Gerald Ford and Jimmy Carter also respected her leadership qualities. Ford appointed her to the American Revolutionary Bicentennial Advisory Commission, and Carter appointed her to the National Commission on the Observance of the International Woman’s Year. At President Bill Clinton’s request, she wrote and delivered a poem, “On the Pulse of Morning,” for his 1993 presidential inauguration, becoming only the second poet in American history to receive such an honor.

Maya Angelou’s work in the arts includes writing, film, and theater. She moved to New York and earned a role in the Gershwin opera Porgy and Bess. Along with the rest of the cast, she toured nearly two-dozen countries in Europe and Africa from 1954 to 1955. After marrying a South African freedom fighter, Angelou lived in Cairo, Egypt, for several years, where she edited an English-language newspaper. Later, she taught at the University of Ghana and edited the African Review.
Angelou often shared stories about her unusual, intense, and poignant childhood, and her friends and associates encouraged her to write an autobiography. In 1969, Angelou published I Know Why the Caged Bird Sings, the first in a series of autobiographical works. It quickly became a best-seller and was nominated for the National Book Award. Angelou’s Georgia, Georgia became the first original screenplay by a black woman to be produced and filmed. Just Give Me a Cool Drink of Water ’fore I Die, a collection of poetry, was nominated for the Pulitzer Prize. Angelou was also nominated for an Emmy award for her performance in the film adaptation of Alex Haley’s Roots. By 1995, she had spent two years on The New York Times Paperback Nonfiction Bestseller list, becoming the first African American author to achieve such success.

Out of her five autobiographies, I Know Why the Caged Bird Sings is probably Angelou’s most popular and critically acclaimed volume. The book is now frequently read as a complement to fictional works that delve into the subject of racism, such as Harper Lee’s To Kill a Mockingbird and Ralph Ellison’s Invisible Man. It has often been cut from reading lists because it involves honest depictions of Angelou’s sexuality and her experience of being raped as a child. She wrote I Know Why the Caged Bird Sings at a time when autobiographies of women, and particularly black women, had begun to proclaim women’s significance in the mainstream as thinkers and activists. Angelou’s book conveys the difficulties associated with the mixture of racial and gender discrimination endured by a southern black girl. At the same time, she speaks to many other issues, such as the relationships between parents and children, child abuse, and the search for one’s own path in life.

In I Know Why the Caged Bird Sings, Maya Angelou describes her coming of age as a precocious but insecure black girl in the American South during the 1930s and subsequently in California during the 1940s. Maya’s parents divorce when she is only three years old and ship Maya and her older brother, Bailey, to live with their paternal grandmother, Annie Henderson, in rural Stamps, Arkansas. Annie, whom they call Momma, runs the only store in the black section of Stamps and becomes the central moral figure in Maya’s childhood.
As young children, Maya and Bailey struggle with the pain of having been rejected and abandoned by their parents. Maya also finds herself tormented by the belief that she is an ugly child who will never measure up to genteel, white girls. She does not feel equal to other black children. One Easter Sunday, Maya is unable to finish reciting a poem in church, and self-consciously feeling ridiculed and a failure, Maya races from the church crying, laughing, and wetting herself. Bailey sticks up for Maya when people actually make fun of her to her face, wielding his charisma to put others in their place.
Growing up in Stamps, Maya faces a deep-seated southern racism manifested in wearying daily indignities and terrifying lynch mobs. She spends time at Momma’s store, observing the cotton-pickers as they journey to and from work in the fields. When Maya is eight, her father, of whom she has no memory, arrives in Stamps unexpectedly and takes her and Bailey to live with their mother, Vivian, in St. Louis, Missouri. Beautiful and alluring, Vivian lives a wild life working in gambling parlors. One morning Vivian’s live-in boyfriend, Mr. Freeman, sexually molests Maya, and he later rapes her. They go to court and afterward Mr. Freeman is violently murdered, probably by some the underground criminal associates of Maya’s family.
In the aftermath of these events, Maya endures the guilt and shame of having been sexually abused. She also believes that she bears responsibility for Mr. Freeman’s death because she denied in court that he had molested her prior to the rape. Believing that she has become a mouthpiece for the devil, Maya stops speaking to everyone except Bailey. Her mother’s family accepts her silence at first as temporary post-rape trauma, but they later become frustrated and angry at what they perceive to be disrespectful behavior.
To Maya’s relief, but Bailey’s regret, Maya and Bailey return to Stamps to live with Momma. Momma manages to break through Maya’s silence by introducing her to Mrs. Bertha Flowers, a kind, educated woman who tells Maya to read works of literature out loud, giving her books of poetry that help her to regain her voice.
During these years in Stamps, Maya becomes aware of both the fragility and the strength of her community. She attends a church revival during which a priest preaches implicitly against white hypocrisy through his sermon on charity. The spiritual strength gained during the sermon soon dissipates as the revival crowd walks home past the honky-tonk party. Maya also observes the entire community listening to the Joe Louis heavyweight championship boxing match, desperately longing for him to defend his title against his white opponent.
Maya endures several appalling incidents that teach her about the insidious nature of racism. At age ten, Maya takes a job for a white woman who calls Maya “Mary” for her own convenience. Maya becomes enraged and retaliates by breaking the woman’s fine china. At Maya’s eighth grade graduation, a white speaker devastates the proud community by explaining that black students are expected to become only athletes or servants. When Maya gets a rotten tooth, Momma takes her to the only dentist in Stamps, a white man who insults her, saying he’d rather place his hand in a dog’s mouth than in hers. The last straw comes when Bailey encounters a dead, rotting black man and witnesses a white man’s satisfaction at seeing the body. Momma begins to fear for the children’s well-being and saves money to bring them to Vivian, who now lives in California.
When Maya is thirteen, the family moves to live with Vivian in Los Angeles and then in Oakland, California. When Vivian marries Daddy Clidell, a positive father figure, they move with him to San Francisco, the first city where Maya feels at home. She spends one summer with her father, Big Bailey, in Los Angeles and has to put up with his cruel indifference and his hostile girlfriend, Dolores. After Dolores cuts her in a fight, Maya runs away and lives for a month with a group of homeless teenagers in a junkyard. She returns to San Francisco strong and self-assured. She defies racist hiring policies in wartime San Francisco to become the first black streetcar conductor at age fifteen. At sixteen, she hides her pregnancy from her mother and stepfather for eight months and graduates from high school. The account ends as Maya begins to feel confident as a mother to her newborn son.