小区配套设施产权归属:求<断臂山>的英文介绍

Ennis Del Mar wakes before five, wind rocking the trailer, hissing in around the aluminum door and window frames. The shirts hanging on a nail shudder slightly in the draft. He gets up, scratching the grey wedge of belly and pubic hair, shuffles to the gas burner, pours leftover coffee in a chipped enamel pan; the flame swathes it in blue. He turns on the tap and urinates in the sink, pulls on his shirt and jeans, his worn boots, stamping the heels against the floor to get them full on. The wind booms down the curved length of the trailer and under its roaring passage he can hear the scratching of fine gravel and sand. It could be bad on the highway with the horse trailer. He has to be packed and away from the place that morning. Again the ranch is on the market and they've shipped out the last of the horses, paid everybody off the day before, the owner saying, "Give em to the real estate shark, I'm out a here," dropping the keys in Ennis's hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream. The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong. The wind strikes the trailer like a load of dirt coming off a dump truck, eases, dies, leaves a temporary silence. They were raised on small, poor ranches in opposite corners of the state, Jack Twist in Lightning Flat up on the Montana border, Ennis del Mar from around Sage, near the Utah line, both high school dropout country boys with no prospects, brought up to hard work and privation, both rough-mannered, rough-spoken, inured to the stoic life. Ennis, reared by his older brother and sister after their parents drove off the only curve on Dead Horse Road leaving them twenty-four dollars in cash and a two-mortgage ranch, applied at age fourteen for a hardship license that let him make the hour-long trip from the ranch to the high school. The pickup was old, no heater, one windshield wiper and bad tires; when the transmission went there was no money to fix it. He had wanted to be a sophomore, felt the word carried a kind of distinction, but the truck broke down short of it, pitching him directly into ranch work. In 1963 when he met Jack Twist, Ennis was engaged to Alma Beers. Both Jack and Ennis claimed to be saving money for a small spread; in Ennis's case that meant a tobacco can with two five-dollar bills inside. That spring, hungry for any job, each had signed up with Farm and Ranch Employment -- they came together on paper as herder and camp tender for the same sheep operation
north of Signal. The summer range lay above the tree line on Forest Service land on Brokeback Mountain. It would be Jack Twist's second summer on the mountain, Ennis's first. Neither of them was twenty. They shook hands in the choky little trailer office in front of a table littered with scribbled papers, a Bakelite ashtray brimming with stubs. The venetian blinds hung askew and admitted a triangle of white light, the shadow of the foreman's hand moving into it. Joe Aguirre, wavy hair the color of cigarette ash and parted down the middle, gave them his point of view. "Forest Service got designated campsites on the allotments. Them camps can be a couple a miles from where we pasture the sheep. Bad predator loss, nobody near lookin after em at night. What I want, camp tender in the main camp where the Forest Service says, but the HERDER" -- pointing at Jack with a chop of his hand -- "pitch a pup tent on the q.t. with the sheep, out a sight, and he's goin a SLEEP there. Eat supper, breakfast in camp, but SLEEP WITH THE SHEEP, hunderd percent, NO FIRE, don't leave NO SIGN. Roll up that tent every mornin case Forest Service snoops around. Got the dogs, your .30-.30, sleep there. Last summer had goddamn near twenty-five percent loss. I don't want that again. YOU," he said to Ennis, taking in the ragged hair, the big nicked hands, the jeans torn, button-gaping shirt, "Fridays twelve noon be down at the bridge with your next week list and mules. Somebody with supplies'll be there in a pickup." He didn't ask if Ennis had a watch but took a cheap round ticker on a braided cord from a box on a high shelf, wound and set it, tossed it to him as if he weren't worth the reach. "TOMORROW MORNIN we'll truck you up the jump-off." Pair of deuces going nowhere. They found a bar and drank beer through the afternoon, Jack telling Ennis about a lightning storm on the mountain the year before that killed forty-two sheep, the peculiar stink of them and the way they bloated, the need for plenty of whiskey up there. He had shot an eagle, he said, turned his head to show the tail feather in his hatband. At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough to let him eat popcorn out of the neck of a jug, but noticeable. He was infatuated with the rodeo life and fastened his belt with a minor bull-riding buckle, but his boots were worn to the quick, holed beyond repair and he was crazy to be somewhere, anywhere else than Lightning Flat. Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple
body made for the horse and for fighting. His reflexes were uncommonly quick and he was farsighted enough to dislike reading anything except Hamley's saddle catalog. The sheep trucks and horse trailers unloaded at the trailhead and a bandy-legged Basque showed Ennis how to pack the mules, two packs and a riding load on each animal ring-lashed with double diamonds and secured with half hitches, telling him, "Don't never order soup. Them boxes a soup are real bad to pack." Three puppies belonging to one of the blue heelers went in a pack basket, the runt inside Jack's coat, for he loved a little dog. Ennis picked out a big chestnut called Cigar Butt to ride, Jack a bay mare who turned out to have a low startle point. The string of spare horses included a mouse-colored grullo whose looks Ennis liked. Ennis and Jack, the dogs, horses and mules, a thousand ewes and their lambs flowed up the trail like dirty water through the timber and out above the tree line into the great flowery Meadows and the coursing, endless wind. They got the big tent up on the Forest Service's platform, the kitchen and grub boxes secured. Both slept in camp that first night, Jack already *****ing about Joe Aguirre's sleep-with-the-sheep-and-no-fire order, though he saddled the bay mare in the dark morning without saying much. Dawn came glassy orange, stained from below by a gelatinous band of pale green. The sooty bulk of the mountain paled slowly until it was the same color as the smoke from Ennis's breakfast fire. The cold air sweetened, banded pebbles and crumbs of soil cast sudden pencil-long shadows and the rearing lodgepole pines below them massed in slabs of somber malachite. During the day Ennis looked across a great gulf and sometimes saw Jack, a small dot moving across a high meadow as an insect moves across a tablecloth; Jack, in his dark camp, saw Ennis as night fire, a red spark on the huge black mass of mountain. Jack came lagging in late one afternoon, drank his two bottles of beer cooled in a wet sack on the shady side of the tent, ate two bowls of stew, four of Ennis's stone biscuits, a can of peaches, rolled a smoke, watched the sun drop. "I'm commutin four hours a day," he said morosely. "Come in for breakfast, go back to the sheep, evenin get em bedded down, come in for supper, go back to the sheep, spend half the night jumpin up and checkin for coyotes. By rights I should be spendin the night here. Aguirre got no right a make me do this." "You want a switch?" said Ennis. "I wouldn't mind herdin. I wouldn't mind
sleepin out there." "That ain't the point. Point is, we both should be in this camp. And that goddamn pup tent smells like cat piss or worse." "Wouldn't mind bein out there." "Tell you what, you got a get up a dozen times in the night out there over them coyotes. Happy to switch but give you warnin I can't cook worth a shit. Pretty good with a can opener." "Can't be no worse than me, then. Sure, I wouldn't mind a do it." They fended off the night for an hour with the yellow kerosene lamp and around ten Ennis rode Cigar Butt, a good night horse, through the glimmering frost back to the sheep, carrying leftover biscuits, a jar of jam and a jar of coffee with him for the next day saying he'd save a trip, stay out until supper. "Shot a coyote just first light," he told Jack the next evening, sloshing his face with hot water, lathering up soap and hoping his razor had some cut left in it, while Jack peeled potatoes. "Big son of a *****. Balls on him size a apples. I bet he'd took a few lambs. Looked like he could a eat a camel. You want some a this hot water? There's plenty." "It's all yours." "Well, I'm goin a warsh everthing I can reach," he said, pulling off his boots and jeans (no drawers, no socks, Jack noticed), slopping the green washcloth around until the fire spat. They had a high-time supper by the fire, a can of beans each, fried potatoes and a quart of whiskey on shares, sat with their backs against a log, boot soles and copper jeans rivets hot, swapping the bottle while the lavender sky emptied of color and the chill air drained down, drinking, smoking cigarettes, getting up every now and then to piss, firelight throwing a sparkle in the arched stream, tossing sticks on the fire to keep the talk going, talking horses and rodeo, roughstock events, wrecks and injuries sustained, the submarine Thresher lost two months earlier with all hands and how it must have been in the last doomed minutes, dogs each had owned and known, the draft, Jack's home ranch where his father and mother held on, Ennis's family place folded years ago after his folks died, the older brother in Signal and a married sister in Casper. Jack said
his father had been a pretty well known bullrider years back but kept his secrets to himself, never gave Jack a word of advice, never came once to see Jack ride, though he had put him on the woolies when he was a little kid. Ennis said the kind of riding that interested him lasted longer than eight seconds and had some point to it. Money's a good point, said Jack, and Ennis had to agree. They were respectful of each other's opinions, each glad to have a companion where none had been expected. Ennis, riding against the wind back to the sheep in the treacherous, drunken light, thought he'd never had such a good time, felt he could paw the white out of the moon. The summer went on and they moved the herd to new pasture, shifted the camp; the distance between the sheep and the new camp was greater and the night ride longer. Ennis rode easy, sleeping with his eyes open, but the hours he was away from the sheep stretched out and out. Jack pulled a squalling burr out of the harmonica, flattened a little from a fall off the skittish bay mare, and Ennis had a good raspy voice; a few nights they mangled their way through some songs. Ennis knew the salty words to "Strawberry Roan." Jack tried a Carl Perkins song, bawling "what I say-ay-ay," but he favored a sad hymn, "Water-Walking Jesus," learned from his mother who believed in the Pentecost, that he sang at dirge slowness, setting off distant coyote yips.
"Too late to go out to them damn sheep," said Ennis, dizzy drunk on all fours one cold hour when the moon had notched past two. The meadow stones glowed white-green and a flinty wind worked over the meadow, scraped the fire low, then ruffled it into yellow silk sashes. "Got you a extra blanket I'll roll up out here and grab forty winks, ride out at first light."
"Freeze your ass off when that fire dies down. Better off sleepin in the tent."
"Doubt I'll feel nothin." But he staggered under canvas, pulled his boots off, snored on the ground cloth for a while, woke Jack with the clacking of his jaw.
"Jesus Christ, quit hammerin and get over here. Bedroll's big enough," said Jack in an irritable sleep-clogged voice. It was big enough, warm enough, and in a little while they deepened their intimacy considerably. Ennis ran full-throttle on all roads whether fence mending or money spending, and he wanted none of it when Jack seized his left hand and brought it to his erect cock. Ennis jerked his hand away as though he'd touched fire, got to his knees, unbuckled his belt, shoved his pants down, hauled Jack onto all fours and, with the help of the clear slick and a little spit, entered him, nothing he'd done before but no instruction manual needed. They went at it in silence except for a few sharp intakes of breath and Jack's choked "gun's goin off," then out, down, and
asleep.
Ennis woke in red dawn with his pants around his knees, a top-grade headache, and Jack butted against him; without saying anything about it both knew how it would go for the rest of the summer, sheep be damned.
As it did go. They never talked about the ***, let it happen, at first only in the tent at night, then in the full daylight with the hot sun striking down, and at evening in the fire glow, quick, rough, laughing and snorting, no lack of noises, but saying not a goddamn word except once Ennis said, "I'm not no queer," and Jack jumped in with "Me neither. A one-shot thing. Nobody's business but ours." There were only the two of them on the mountain flying in the euphoric, bitter air, looking down on the hawk's back and the crawling lights of vehicles on the plain below, suspended above ordinary affairs and distant from tame ranch dogs barking in the dark hours. They believed themselves invisible, not knowing Joe Aguirre had watched them through his 10x42 binoculars for ten minutes one day, waiting until they'd buttoned up their jeans, waiting until Ennis rode back to the sheep, before bringing up the message that Jack's people had sent word that his uncle Harold was in the hospital with pneumonia and expected not to make it. Though he did, and Aguirre came up again to say so, fixing Jack with his bold stare, not bothering to dismount.
In August Ennis spent the whole night with Jack in the main camp and in a blowy hailstorm the sheep took off west and got among a herd in another allotment. There was a damn miserable time for five days, Ennis and a Chilean herder with no English trying to sort them out, the task almost impossible as the paint brands were worn and faint at this late season. Even when the numbers were right Ennis knew the sheep were mixed. In a disquieting way everything seemed mixed.

It’s what we always knew to be true: beneath the tight jeans, sweaty chaps, and weathered countenance, the American Cowboy is an ass-pounder waiting to be born. Like the impressionable teenager who joins the army or the youngster who insists on a stint with the wresting team, the cowboy willingly spends every waking moment in the exclusive company of men, hoping to catch that glistening, yet forbidden patch of butt cheek, or feel the heavy, scratchy breath of masculinity. Obvious truths aside, Ang Lee’s Brokeback Mountain shocked the hell out of me. It’s a gracious, tender film of such depth and dignity that were this nation not packed to the gills with homophobic creeps, it would go down as the year’s most powerful love story. Jake Gyllenhaal and Heath Ledger give Oscar-worthy performances (you heard me) as Jack and Ennis, two lonely ranch hands who meet during a shepherding job in the mountains of Wyoming (filmed in Alberta, Canada, however) and form a lifelong bond that yes, involves sex. A whole lotta sex, in fact. Ennis remains in Wyoming while Jack moves to Texas, yet they continue to meet several times a year for friendship and outbursts of passion. Visually, this film has the texture of a Terence Malick piece and in some ways, the same overall tone. There’s nothing lurid, or exploitive, or even shocking about this relationship; in fact, it’s handled with such quiet power that gender all but slips away. These are two simple, inarticulate men, yet they are driven by complex emotions and longings that even they could not hope to explain. But as Woody Allen has said, the heart wants what the heart wants, and what better case could be made for letting love take its course? One of the year’s best.

Ennis Del Mar wakes before five, wind rocking the trailer, hissing in around the aluminum door and window frames. The shirts hanging on a nail shudder slightly in the draft. He gets up, scratching the grey wedge of belly and pubic hair, shuffles to the gas burner, pours leftover coffee in a chipped enamel pan; the flame swathes it in blue. He turns on the tap and urinates in the sink, pulls on his shirt and jeans, his worn boots, stamping the heels against the floor to get them full on. The wind booms down the curved length of the trailer and under its roaring passage he can hear the scratching of fine gravel and sand. It could be bad on the highway with the horse trailer. He has to be packed and away from the place that morning. Again the ranch is on the market and they've shipped out the last of the horses, paid everybody off the day before, the owner saying, "Give em to the real estate shark, I'm out a here," dropping the keys in Ennis's hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream. The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong. The wind strikes the trailer like a load of dirt coming off a dump truck, eases, dies, leaves a temporary silence. They were raised on small, poor ranches in opposite corners of the state, Jack Twist in Lightning Flat up on the Montana border, Ennis del Mar from around Sage, near the Utah line, both high school dropout country boys with no prospects, brought up to hard work and privation, both rough-mannered, rough-spoken, inured to the stoic life. Ennis, reared by his older brother and sister after their parents drove off the only curve on Dead Horse Road leaving them twenty-four dollars in cash and a two-mortgage ranch, applied at age fourteen for a hardship license that let him make the hour-long trip from the ranch to the high school. The pickup was old, no heater, one windshield wiper and bad tires; when the transmission went there was no money to fix it. He had wanted to be a sophomore, felt the word carried a kind of distinction, but the truck broke down short of it, pitching him directly into ranch work. In 1963 when he met Jack Twist, Ennis was engaged to Alma Beers. Both Jack and Ennis claimed to be saving money for a small spread; in Ennis's case that meant a tobacco can with two five-dollar bills inside. That spring, hungry for any job, each had signed up with Farm and Ranch Employment -- they came together on paper as herder and camp tender for the same sheep operation
north of Signal. The summer range lay above the tree line on Forest Service land on Brokeback Mountain. It would be Jack Twist's second summer on the mountain, Ennis's first. Neither of them was twenty. They shook hands in the choky little trailer office in front of a table littered with scribbled papers, a Bakelite ashtray brimming with stubs. The venetian blinds hung askew and admitted a triangle of white light, the shadow of the foreman's hand moving into it. Joe Aguirre, wavy hair the color of cigarette ash and parted down the middle, gave them his point of view. "Forest Service got designated campsites on the allotments. Them camps can be a couple a miles from where we pasture the sheep. Bad predator loss, nobody near lookin after em at night. What I want, camp tender in the main camp where the Forest Service says, but the HERDER" -- pointing at Jack with a chop of his hand -- "pitch a pup tent on the q.t. with the sheep, out a sight, and he's goin a SLEEP there. Eat supper, breakfast in camp, but SLEEP WITH THE SHEEP, hunderd percent, NO FIRE, don't leave NO SIGN. Roll up that tent every mornin case Forest Service snoops around. Got the dogs, your .30-.30, sleep there. Last summer had goddamn near twenty-five percent loss. I don't want that again. YOU," he said to Ennis, taking in the ragged hair, the big nicked hands, the jeans torn, button-gaping shirt, "Fridays twelve noon be down at the bridge with your next week list and mules. Somebody with supplies'll be there in a pickup." He didn't ask if Ennis had a watch but took a cheap round ticker on a braided cord from a box on a high shelf, wound and set it, tossed it to him as if he weren't worth the reach. "TOMORROW MORNIN we'll truck you up the jump-off." Pair of deuces going nowhere. They found a bar and drank beer through the afternoon, Jack telling Ennis about a lightning storm on the mountain the year before that killed forty-two sheep, the peculiar stink of them and the way they bloated, the need for plenty of whiskey up there. He had shot an eagle, he said, turned his head to show the tail feather in his hatband. At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough to let him eat popcorn out of the neck of a jug, but noticeable. He was infatuated with the rodeo life and fastened his belt with a minor bull-riding buckle, but his boots were worn to the quick, holed beyond repair and he was crazy to be somewhere, anywhere else than Lightning Flat. Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple
body made for the horse and for fighting. His reflexes were uncommonly quick and he was farsighted enough to dislike reading anything except Hamley's saddle catalog. The sheep trucks and horse trailers unloaded at the trailhead and a bandy-legged Basque showed Ennis how to pack the mules, two packs and a riding load on each animal ring-lashed with double diamonds and secured with half hitches, telling him, "Don't never order soup. Them boxes a soup are real bad to pack." Three puppies belonging to one of the blue heelers went in a pack basket, the runt inside Jack's coat, for he loved a little dog. Ennis picked out a big chestnut called Cigar Butt to ride, Jack a bay mare who turned out to have a low startle point. The string of spare horses included a mouse-colored grullo whose looks Ennis liked. Ennis and Jack, the dogs, horses and mules, a thousand ewes and their lambs flowed up the trail like dirty water through the timber and out above the tree line into the great flowery Meadows and the coursing, endless wind. They got the big tent up on the Forest Service's platform, the kitchen and grub boxes secured. Both slept in camp that first night, Jack already *****ing about Joe Aguirre's sleep-with-the-sheep-and-no-fire order, though he saddled the bay mare in the dark morning without saying much. Dawn came glassy orange, stained from below by a gelatinous band of pale green. The sooty bulk of the mountain paled slowly until it was the same color as the smoke from Ennis's breakfast fire. The cold air sweetened, banded pebbles and crumbs of soil cast sudden pencil-long shadows and the rearing lodgepole pines below them massed in slabs of somber malachite. During the day Ennis looked across a great gulf and sometimes saw Jack, a small dot moving across a high meadow as an insect moves across a tablecloth; Jack, in his dark camp, saw Ennis as night fire, a red spark on the huge black mass of mountain. Jack came lagging in late one afternoon, drank his two bottles of beer cooled in a wet sack on the shady side of the tent, ate two bowls of stew, four of Ennis's stone biscuits, a can of peaches, rolled a smoke, watched the sun drop. "I'm commutin four hours a day," he said morosely. "Come in for breakfast, go back to the sheep, evenin get em bedded down, come in for supper, go back to the sheep, spend half the night jumpin up and checkin for coyotes. By rights I should be spendin the night here. Aguirre got no right a make me do this." "You want a switch?" said Ennis. "I wouldn't mind herdin. I wouldn't mind
sleepin out there." "That ain't the point. Point is, we both should be in this camp. And that goddamn pup tent smells like cat piss or worse." "Wouldn't mind bein out there." "Tell you what, you got a get up a dozen times in the night out there over them coyotes. Happy to switch but give you warnin I can't cook worth a shit. Pretty good with a can opener." "Can't be no worse than me, then. Sure, I wouldn't mind a do it." They fended off the night for an hour with the yellow kerosene lamp and around ten Ennis rode Cigar Butt, a good night horse, through the glimmering frost back to the sheep, carrying leftover biscuits, a jar of jam and a jar of coffee with him for the next day saying he'd save a trip, stay out until supper. "Shot a coyote just first light," he told Jack the next evening, sloshing his face with hot water, lathering up soap and hoping his razor had some cut left in it, while Jack peeled potatoes. "Big son of a *****. Balls on him size a apples. I bet he'd took a few lambs. Looked like he could a eat a camel. You want some a this hot water? There's plenty." "It's all yours." "Well, I'm goin a warsh everthing I can reach," he said, pulling off his boots and jeans (no drawers, no socks, Jack noticed), slopping the green washcloth around until the fire spat. They had a high-time supper by the fire, a can of beans each, fried potatoes and a quart of whiskey on shares, sat with their backs against a log, boot soles and copper jeans rivets hot, swapping the bottle while the lavender sky emptied of color and the chill air drained down, drinking, smoking cigarettes, getting up every now and then to piss, firelight throwing a sparkle in the arched stream, tossing sticks on the fire to keep the talk going, talking horses and rodeo, roughstock events, wrecks and injuries sustained, the submarine Thresher lost two months earlier with all hands and how it must have been in the last doomed minutes, dogs each had owned and known, the draft, Jack's home ranch where his father and mother held on, Ennis's family place folded years ago after his folks died, the older brother in Signal and a married sister in Casper. Jack said
his father had been a pretty well known bullrider years back but kept his secrets to himself, never gave Jack a word of advice, never came once to see Jack ride, though he had put him on the woolies when he was a little kid. Ennis said the kind of riding that interested him lasted longer than eight seconds and had some point to it. Money's a good point, said Jack, and Ennis had to agree. They were respectful of each other's opinions, each glad to have a companion where none had been expected. Ennis, riding against the wind back to the sheep in the treacherous, drunken light, thought he'd never had such a good time, felt he could paw the white out of the moon. The summer went on and they moved the herd to new pasture, shifted the camp; the distance between the sheep and the new camp was greater and the night ride longer. Ennis rode easy, sleeping with his eyes open, but the hours he was away from the sheep stretched out and out. Jack pulled a squalling burr out of the harmonica, flattened a little from a fall off the skittish bay mare, and Ennis had a good raspy voice; a few nights they mangled their way through some songs. Ennis knew the salty words to "Strawberry Roan." Jack tried a Carl Perkins song, bawling "what I say-ay-ay," but he favored a sad hymn, "Water-Walking Jesus," learned from his mother who believed in the Pentecost, that he sang at dirge slowness, setting off distant coyote yips.
"Too late to go out to them damn sheep," said Ennis, dizzy drunk on all fours one cold hour when the moon had notched past two. The meadow stones glowed white-green and a flinty wind worked over the meadow, scraped the fire low, then ruffled it into yellow silk sashes. "Got you a extra blanket I'll roll up out here and grab forty winks, ride out at first light."
"Freeze your ass off when that fire dies down. Better off sleepin in the tent."
"Doubt I'll feel nothin." But he staggered under canvas, pulled his boots off, snored on the ground cloth for a while, woke Jack with the clacking of his jaw.
"Jesus Christ, quit hammerin and get over here. Bedroll's big enough," said Jack in an irritable sleep-clogged voice. It was big enough, warm enough, and in a little while they deepened their intimacy considerably. Ennis ran full-throttle on all roads whether fence mending or money spending, and he wanted none of it when Jack seized his left hand and brought it to his erect cock. Ennis jerked his hand away as though he'd touched fire, got to his knees, unbuckled his belt, shoved his pants down, hauled Jack onto all fours and, with the help of the clear slick and a little spit, entered him, nothing he'd done before but no instruction manual needed. They went at it in silence except for a few sharp intakes of breath and Jack's choked "gun's goin off," then out, down, and
asleep.
Ennis woke in red dawn with his pants around his knees, a top-grade headache, and Jack butted against him; without saying anything about it both knew how it would go for the rest of the summer, sheep be damned.
As it did go. They never talked about the ***, let it happen, at first only in the tent at night, then in the full daylight with the hot sun striking down, and at evening in the fire glow, quick, rough, laughing and snorting, no lack of noises, but saying not a goddamn word except once Ennis said, "I'm not no queer," and Jack jumped in with "Me neither. A one-shot thing. Nobody's business but ours." There were only the two of them on the mountain flying in the euphoric, bitter air, looking down on the hawk's back and the crawling lights of vehicles on the plain below, suspended above ordinary affairs and distant from tame ranch dogs barking in the dark hours. They believed themselves invisible, not knowing Joe Aguirre had watched them through his 10x42 binoculars for ten minutes one day, waiting until they'd buttoned up their jeans, waiting until Ennis rode back to the sheep, before bringing up the message that Jack's people had sent word that his uncle Harold was in the hospital with pneumonia and expected not to make it. Though he did, and Aguirre came up again to say so, fixing Jack with his bold stare, not bothering to dismount.
In August Ennis spent the whole night with Jack in the main camp and in a blowy hailstorm the sheep took off west and got among a herd in another allotment. There was a damn miserable time for five days, Ennis and a Chilean herder with no English trying to sort them out, the task almost impossible as the paint brands were worn and faint at this late season. Even when the numbers were right Ennis knew the sheep were mixed. In a disquieting way everything seemed mixed.

Brokeback Mountain
Type: Love/ Plot
Direct: Ang Lee Ang Lee
Screenwriter: Diana Ossana
Lary Mcmurtrey Larry McMurtry
E. Annie Proulx
Main actor: The orchid enlightens Quaid Randy Quaid
Anne sea Chinese zither Wei Anne Hathaway
In Linda Card Nepali Linda Cardellini
Schiesz Lai Gill Heath Ledger
Grey Becker Graham Beckel
Scott Michael Campbell Scott Michael Campbell
Anna law auspicious silk Anna Faris
Jake galen Hall Jake Gyllenhaal
Luo berta Maxwell Roberta Maxwell
Michelle Michelle Williams
Tom Carey
Screens the date: 2005-12-9
National area: US
1963 bright summer day, west Wyoming, young cowboy Jake □Vest (Jake □Gillen Hall played the part of) especially (schiesz □Lai Gill plays the part of) with Ennis □Deuel Masurium because with you (blue enlightens □Quaid for the rancher tall □Arab League cassiabarktree to play the part of) works but is acquainted with one another, Jake quite talkative, also the equestrian skill was excellent, Ennis double perished from the immature parents, disposition introversion widowed language. Unvisited breaks the arm mountain deep place, the mountain pasture grazes sheep the work monotonously but to be difficult, has the bitter experience wild animal attack as necessary the possibility, stays the tent for Jake and Ennis only to be narrow and small can go to sleep a person, another person can not but rest nearby the open-air bonfire, gets up the second day person to graze sheep respectively, unusual exchange. Until one day, when two human of dinners drank many liquors, was the night particularly is cold, thereupon Jake and Ennis with account altogether Qiu Ermian, in the ethyl alcohol and under the hormone function, between them have had "the matter which should not occur", void lonelily let two 19 year-old youths each other fall in love, a person prepared food, another grazed sheep, the bonfire had a lengthy conversation, in the tent the happy love, the homogeneity fine really liked following two people to pass in the life a happiest section of summer days time.

After the seasonal grazing work had ended, under the common custom pressure, Jake and Ennis stepped respective life journey longingly, Jake has become Texas's athletics cowboy by reason of the exquisite equestrian skill, depended upon the wife to reveal Lin (Anne □sea Chinese zither Wei to play the part of) family's prop but the enterprise to progress day by day; Keeps the pasture Ennis got married Ahl Masurium which was acquainted with one another since childhood (Michelle □ to play the part of), for cried for food every day the daughter rushed about, ordinary impoverished day. Snapped fingers for four years to pass, fully suffered lovesickness bitter Jake to send the greeting card to Ennis, said oneself did business egressed when helm Wyoming, the hope has been able see above one side. Has a reunion after Jake and the Ennis affection hugs and kisses, the time drains dilutes in by no means two human of hearts the blazing emotion, in the afterwards several years, Jake and the Ennis all regular appointment fishes. On the superficial marriage lets the Ahl Masurium's innermost feelings distress be unable to withstand, she knew the husband vanishes every year in breaks in the arm mountain the true reason which fishes with old friend Jake, but Jake and Ennis also are undergoing the huge prejudice and the common custom pressure which the homosexuality incurs. Finally, accompanies together the life the desire because Jake's accident to die but fails. Died after Jake, Ennis arrived the Jake parents' farm, wants to return Jake's bone ash belt two at the beginning of people to know breaks the arm mountain. In Jake's room, he has discovered a secret: Initially knows when they passed through respectively the shirt has been neatly hung up by the set in the identical clothes. This secret lets Ennis be with flowing tears, he realizes Jake loves him, own how deep love Jake. But how strength regardless of the love is, the final testimony it only then that sublime dark green strongly fragrant breaks the arm mountain.