逆战神秘是什么图:英格利·褒曼的简介

英格丽·褒曼，这位被众多影迷深深热爱着的，四十年代好莱坞的“第一夫人”1915年8月29日出生于瑞典首都斯德哥尔摩。二岁丧母，十二岁亡父，孤寂的童年造就了她对表演的浓厚兴趣，常常一个人沉浸在假想的世界中。十四岁时就在日记中记录下了她的梦想：有朝一日能站在家乡的舞台上，观众们朝自己热烈地鼓掌。高中毕业考入瑞典皇家戏剧学院，在校其间便开始了她的表演生涯,并于中途退学。1936年在瑞典主演的《插曲》引起好莱坞著名制片人大卫·赛尔兹尼克的注意，邀请她到好莱坞拍了同名电影的美国版，引起轰动。于是塞尔兹尼克和她签订了七年的合同。

　　英格丽·褒曼来到好莱坞以后，很快成为当时知名度甚高的明星。她的美清新典雅，很长一段时间她都以本色出现在影片中。她的表演自然纯朴，在她表演的角色中，你不可能找到褒曼本人的影子，那种真实性吸引你去一遍遍地欣赏她的作品。在好莱坞其间，英格丽·褒曼拍了众多脍炙人口的影片，包括《卡萨布兰卡》、《美人计》、《煤气灯下》、《圣女贞德》等。这些影片如今已成为电影史上的经典之作。四十年代的好莱坞，英格丽·褒曼的价值相当于诺克斯堡的黄金，那时曾流行一句笑谈：你知道吗，昨天晚上我居然看了一部没有英格丽·褒曼的影片! 她本人也因此平添了一份神秘色彩。
　　1948年，英格丽·褒曼观看了意大利导演罗伯托·罗塞里尼执导的影片《罗马-不设防的城市》和《同胞》，被它们写实主义的风格所折服，主动写信给罗塞里尼要求与之一起拍片，罗塞里尼欣然接受。起初，他们只是合作伙伴，但渐渐蒙生爱意，她和彼得·林德斯特罗姆仍有婚姻关系，却替罗伯托·罗塞里尼生了个儿子，这使举世哗然。美国人心中所谓的“圣洁偶像”破碎了，媒体和公众对她辱骂唾弃，好莱坞排斥了她。与罗塞里尼合作的影片也均告失败。1957年，终于云开雾散，褒曼以《真假公主》一片中的杰出演技一举成为纽约影评人协会和奥斯卡双料影后，这表明美国人最终还是原谅并接纳了这位真正的艺术家。
　　六十年代以后，英格丽·褒曼仍然活跃在银幕和舞台上，并享有极高的声誉。《轻举妄动》、《六福客栈》、《东方快车谋杀案》是她后期的代表作。七十年代中期，英格丽·褒曼不幸患乳腺癌，但这并没有挫败她的精神和精力。不论她病得有多厉害，她都宛尔笑到：“舞台就是良医”，一幕起时她永远精神饱满地站在台上。晚年的她以顽强的毅力和精湛的演技完成了《秋天奏鸣曲》和《一个叫戈尔达的女人》的拍摄，并得到了影评界和观众的一致褒扬。
　　1982年8月29日，这位伟大的女演员逝世于伦敦寓所，终年六十七岁。但对许多热爱她的影迷来说，英格丽·褒曼永远活着---和贾利·古柏一起在积雪的西班牙山头，或者和加利·格兰特一起在间谍充斥的里约热内卢。不过，也许最让人觉得她音容宛在的还是《卡萨布兰卡》中的伊尔莎。在那部片子里，英格丽坐在钢琴边喃喃地说: “山姆，看在老朋友份上请再弹一遍‘时光流逝’”，在亨弗莱·鲍加举杯时盈盈浅笑，在薄雾机场上黯然送别......

　　影片介绍

　　五朔节之夜 (Walpurgis Night)
　　导演：古斯塔夫·埃德格林
　　主要演员：英格丽·褒曼，拉斯·汉森，卡林·卡尔森，维克多·西斯特洛姆
　　注：五朔节（又称：May Day）之夜，即五月一日的前一天晚上，是瑞典人庆祝冬去春来的一个节日。影片用这一节日象征爱情的到来。
　　这部1935的年的片子，用现在的眼光来看，情节略显牵强，人物个性不鲜明，英格丽在其中的表演也显稚嫩。可在当时，这部影片因它的真实和温馨受到观众的欢迎，也得到评论界的认可。

　　六月之夜(June Night)
　　导演：佩尔·林德堡
　　主要演员：英格丽·褒曼，玛丽安妮·洛夫格林，利尔·托利·泽尔曼，玛丽安妮·阿米诺夫
　　这部影片是英格丽·褒曼在去好莱坞发展之前拍摄的最后一部瑞典影片。

　　天堂怒火（Rage in Heaven)
　　导演：W·S·范·代克二世

　　主要演员：英格丽·褒曼，罗伯特·蒙哥马利，乔治·桑德尔，露西里·沃森
　　当时评论界对这部影片的赞扬都集中在英格丽·褒曼身上，甚至认为“米高梅公司既然有这么一位才华出众的演员，为什么还要为乖僻的嘉宝而伤脑筋呢？”

　　卡萨布兰卡(Casablanca)
　　导演：迈克尔·柯蒂斯
　　主要演员：英格丽·褒曼，亨弗莱·鲍嘉，保罗·亨利德，克劳德·雷恩斯
　　《卡萨布兰卡》拍摄于1942年，正值二次世界大战白热化阶段。当时，对同盟国来说，胜利似乎还渺茫，失败的影子还隐约可见。制片人和导演正是抓住了这一契机，拍摄了一部既体现了反法西斯激情，又叙述了动人爱情故事的影片。本片故事情节曲折紧张，叙事紧凑流畅，对话简洁幽默。男主角是潇洒刚强而有神秘感的硬汉，女主角则美丽多情，命运多变。一经放映便取得了巨大的成功，并于1943年获奥斯卡最佳影片,最佳导演和最佳改编剧本三项奖，是电影史上的经典之作。由于当时没有正式的剧本，是一边拍摄，一边在作修改，因此谁也不知道剧情究竟如何发展，褒曼也不清楚她最终会和谁在一起。她既不敢用爱慕的眼光去看亨弗莱·鲍嘉，也不能和保罗·赫里德太过亲昵。影片中，她都是用一种无表情的表情在演绎人物。观众们也只是出于自己的想象觉得她在爱着谁。片中的那首《As Time Goes By》也成为经典名曲。

Not the Ingrid Bergman you're looking for?

Biography for
Ingrid Bergman (I)

Height
5' 10" (1.78 m)
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Mini biography
Ingrid Bergman was born in Stockholm, Sweden, on August 29, 1915. The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932--not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled in the Swedish Royal Theatre but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was Munkbrogreven (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936/I) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from MGM to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in MGM's 1939 remake of her 1936 film, Intermezzo: A Love Story (1939), reprising her original role. The film was a hit and so was Ingrid. Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film En enda natt (1939) in 1939 and Juninatten (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite the great Humphrey Bogart.

Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for _Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia. Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Höstsonaten (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982) (TV), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she didn't live to see the fruits of her labor. Ingrid had died on her birthday, from cancer, on August 29, 1982 in London, England. She was 67.

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IMDb mini-biography by
Denny Jackson
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Mini biography
Born in Stockholm, Sweden, on August 29, 1915. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle. At 18, after school graduation, the lonely and shy girl decided to become an actress. In 1934 she debuted in the Swedish film Munkbrogreven (1935). She soon rose to stardom and by 1936 was Sweden's leading film star and got first offers from Hollywood. In 1937 she married Dr. Peter Lindstrom, and in 1938 she gave birth to a daughter, Friedel Pia (aka Pia Lindström). In May 1939 she arrived in New York to do a remake of Intermezzo: A Love Story (1939). The beginning of WWII in Europe persuaded her and her family to return to America in 1940. In 1942 Casablanca (1942) premiered and made her a star of the first rank. Her acting in her next film, For Whom the Bell Tolls (1943), won her an Academy Award nomination. In late 1943 she began working on Gaslight (1944), which won her the 1944 Academy Award. she followed that film with such classics as Alfred Hitchcock's Spellbound (1945) with Gregory Peck and Notorious (1946) with Cary Grant. She returned to Europe after the scandalous publicity surrounding her affair with Italian director Roberto Rossellini during the filming of Stromboli (1950). In the same month the film was released she gave birth to a boy, Robertino. A week after her son was born she divorced Dr. Lindstrom and married Rossellini in Mexico. In June of 1952 she gave birth to the twin daughters Isotta and Isabella Rossellini. From 1951 to 1955 she and her husband did a series of films that were ahead of their time but were generally not received well, especially in the US, where many conservative political and religious leaders still raised a hue and cry about her past. Tired and convinced that she would never make a successful film with Rosselini, she returned to Hollywood and triumphed in Anastasia (1956), for which she received another Oscar. In 1957 she divorced Rosselini and the next year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family. She received a third Oscar for her role in Murder on the Orient Express (1974). By 1975 she was divorced again. In 1978 she starred in Ingmar Bergman's Höstsonaten (1978), probably her best film from an artistic standpoint. In the late 1970s she first discovered the symptoms of cancer and underwent a mastectomy. Her last role was in the television film A Woman Called Golda (1982) (TV). For it she won (posthumously) US television's Emmy Award as outstanding actress in a mini-series. She died in London on August 29, 1982, after having a small birthday party with a few friends.

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IMDb mini-biography by
Ezio Flavio de Freitas <ezio@pgr.mpf.gov.br>
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Mini biography
Born in Stockholm, Sweden, on August 29, 1915 - coincidentally, she died on the very same date 67 years later - Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, second only to Katharine Hepburn.

Before she came to Hollywood in 1939, she was already an established actress in Sweden. She had completed 11 Swedish films when producer David O. Selznick invited her to come to Hollywood to reprise her role in the American version of her biggest hit, Intermezzo: A Love Story (1939) opposite Leslie Howard. Her performance in her American debut captured America's heart. She later appeared in Adam Had Four Sons (1941), Rage in Heaven (1941) and Dr. Jekyll and Mr. Hyde (1941). However, it was Casablanca (1942) that launched her to superstardom, establishing her as a romantic leading lady. The pairing with Humphrey Bogart made them one of the best romantic cinema couples of all time and the film still vows audiences, more than 60 years after its release. In 2002 the American Film Institute named "Casablanca" as the top American love story of all time, beating such favorites as Gone with the Wind (1939) and West Side Story (1961). Ironically enough, both Bogart and Bergman tried to quit the film during shooting, feeling that the story was ridiculous and unbelievable. Bergman herself said at the time that she hoped it would never be shown again after she died.

After "Casablanca", she became Hollywood's top box-office draw. All of her films became smash hits; she starred opposite Gary Cooper in Ernest Hemingway's For Whom the Bell Tolls (1943), which she cited as her personal favorite film. She also gave an Oscar-winning performance as the persecuted wife of Charles Boyer in George Cukor's Gaslight (1944) and Leo McCarey's very popular _Bells of St. Mary's, The (1944)_ . Later, she worked with the master himself, Alfred Hitchcockin Spellbound (1945), Notorious (1946) with Cary Grant and the less successful Under Capricorn (1949).

Bergman suffered a sudden and disastrous fall from grace after her affair with Italian director Roberto Rossellini, which began when she filmed Stromboli (1950) with him, and caused a scandal in the US because she was married at the time. After being exiled from Hollywood for seven years, she came back with Anastasia (1956), which garnered her a second Academy Award. After all the years she spent away from Hollywood, she still managed to maintain her status as a major star, as the success of films like Indiscreet (1958) and The Inn of the Sixth Happiness (1958) showed. In the 1960s she concentrated in stage work and television appearances, collaborated with her third husband Lars Schmidt, who was also a theatrical producer, in such plays as The Turn of The Screw (1960) and Twenty-Four Hours in a Woman's Life (1961). She didn't appear in as many films after the 1960s as she had before, but she continued to win awards and accolades from the film industry. One of her last performances was in Murder on the Orient Express (1974), for which she won her final Academy Award. Later she worked in Ingmar Bergman's Höstsonaten (1978) and a TV mini-series, A Woman Called Golda (1982) (TV). In these two pieces Bergman gave the performances of her lifetime, a fitting end to an extraordinary career and life. She died in her sleep at the end of her 67th birthday, 29th of August 1982.

Ingrid Bergman will always be remembered as Bogart's lost love Ilsa Lund in "Casablanca". It's sad because she also gave spectacular performances as Maria in "For Whom the Bell Tolls", Paula Alquist in "Gaslight", Dr. Constance Peterson in "Spellbound", Alicia Huberman in "Notorious", Anastasia in "Anastasia", Gladys Aylward in "The Inn of Sixth Happiness" and Charlotte in "Autumn Sonata". She worked in films, television and on the stage in New York, London, Paris, Rome and Stockholm. She worked right up to her death. In 1999 she was ranked #4 in the American Film Institute's list of greatest female screen legends. As Bogart said, "Here's looking at you kid", and until this day, we are still looking at you, Ingrid!

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IMDb mini-biography by
naim81@bluehyppo.com
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Spouse
Lars Schmidt (21 December 1958 - 1976) (divorced)
Roberto Rossellini (24 May 1950 - 7 November 1957) (divorced) 3 children
Dr. Aron Petter Lindström (10 July 1937 - 1 March 1950) (divorced) 1 child

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Trivia
Mother of Isabella Rossellini, Isotta Rossellini and Pia Lindström (born 1938). Also mother of Roberto Ingmar Rosselini (born 1950)

In 1933 she enrolled in the Royal Theatre of Dramatic Art but later changed to films instead.

Married Lars Schmidt in Caxton Hall next to Westminster Abbey, London, England, UK.

Folk singer Woody Guthrie wrote a song in praise of her, titled "Ingrid Bergman," but died before he had a chance to record it. The song can now be heard on Billy Bragg's "Mermaid Avenue" CD.

Ashes scattered at sea off the coast of Sweden.

Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#30). [1995]

Attempts were made by Hollywood producers to change her name in 1939, with possibilities discussed such as Ingrid Berriman and Ingrid Lindstrom (actually her legal married name). Bergman refused, in part because she felt she had worked too hard to establish herself as an actress in Europe under her real name.

She played the part of Joan of Arc three times in her career: 1946 (on stage in Maxwell Anderson's 'Joan of Lorraine') 1948 (Joan of Arc (1948)), and 1954 (_Joan of Arc at the Stake 1954_ )

Former mother-in-law of Martin Scorsese.

Has a type of rose named after her, called the Ingrid Bergman rose.

Many of her shorter male co-stars, such as Humphrey Bogart and Claude Rains, had to wear lifts to avoid looking small next to this 5' 10" beauty.

Turned down the role opposite Charlton Heston in "Planet of the Apes" (1968)

Bergman and Sean Connery had topped a list of "greatest actors of all time" compiled by 50,000 readers of German magazine Funk Uhr.

She and her husband were often invited to dinner parties at the Hitchcock home. According to those present, she never seemed to notice that her host was sulking because of his crush on her.

Was fluent in English, Swedish, French, German and Italian.

Sergio Scaglietti, Ferrari's master coachbuilder and aluminum sculptor, shaped some the most beautiful Ferraris of the '50s and '60s, including the 375MM built in 1954 for her. That "Ingrid" car has, in turn, inspired the proportions of today's 612 Scaglietti, the largest Ferrari ever. (There's even a silver Ingrid paint option).

At her funeral service held at Saint Martin's-in-the-fields Church, there was nothing that was as touching as the moment when, a violin played the strains of 'As Time Goes By'.

She wasn't nominated for Best Actress in her role as the sultry Ilsa, but was nominated for her role in "For Whom the Bell Tolls" and lost to her close friend Jennifer Jones for "The Song of Bernadette." It was also newcomer Jones' 25th birthday, and after winning when Bergman congratulated her, Jones apologized, saying "Ingrid, you should have won." Then, Bergman said, "No, Jennifer, your Bernadette was better than my Maria."

She broke her foot at the beginning of the American run of The Constant Wife and played the next five weeks in a wheelchair.

Her daughter, Pia Lindstrom accepted her Best Leading Actress Emmy for A Woman Called Golda posthumously. Bergman died 3 weeks prior to the ceremony, after the ballots were cast.

Cary Grant, her great friend, accepted her Anastasia Oscar at the 29th Annual Academy Awards (1957).

On their last meeting, Hitchcock was in tears, terrified of his impending death. Suffering from the cancer that would kill her, Bergman told him, "but of course you are going to die sometime, Hitch, we are all going to die." She later recalled that the comment seemed to bring him peace; it was a bittersweet goodbye. Hitchcock died in 1980, followed by Bergman in 1982.

Her famous love affair with the war photographer, Robert Capa was the basis for Alfred Hitchcock's Rear Window.

When Ernest Hemingway told her she would have to cut off her hair for the role of Maria in For Whom the Bell Tolls, she shot back, "To get that part, I'd cut my head off!" She would rehearse tirelessly until any hour of the night, begging to repeat a scene long after the director was satisfied.

Her luck was as phenomenal as her talent. In New York City, a Swedish couple praised a film of hers to their son, an elevator operator in the apartment building where one of film producer David Selznick's young talent scouts lived. Six months later, Ingrid was on her way to Hollywood. "I owe my whole career to that elevator boy," she would say laughingly.

Industrialist Howard Hughes once bought every available seat from New York to Los Angeles to be sure she would accept a ride in his private plane.

During the making of Casablanca (1942) Humphrey Bogart's wife Mayo Methot continually accused him of having an affair with Bergman, often confronting him in his dressing room before a shot. Bogart would come onto the set in a rage.

Her daughter Pia, with first husband Petter Lindstrom, is a television personality and actress. Another daughter, Isabella Rossellini, became a model and actress, and has appeared in such films as Blue Velvet (1986), Immortal Beloved (1994), Merlin (TV-1998) and Don Quixote (TV-2000).

The studio of Dr. Jekyll and Mr. Hyde (1941) had originally cast her in the Beatrix Emery role and Lana Turner in the Ivy Peterson role. Bergman felt the role of Ivy was more challening and persuaded the producers to switch roles with Turner.

She has the distinction of having inadvertently been one of the first Hollywood performers to help break down the studio contract system.

On the first anniversary of her death, stars, friends and family came to Venice Film Festival to honor her. Among the many guests were Gregory Peck, Audrey Hepburn, Walter Matthau, Charlton Heston, Roger Moore, Claudette Colbert, Olivia de Havilland and Prince Albert of Monaco.

Swedes are very proud of Bergman. They even have "Ingrid Bergman Square" with a statue of the screen goddess looking out over the water to her former home. Her ashes were scattered over the sea nearby.

Was named #4 on The Greatest Screen Legends actress list by the American Film Institute.

To prepare for her role of Israeli Prime Minister Golda Meir, in A Woman Called Golda, she traveled around Israel and interviewed those who had known Golda. She spent hours studying old newsreels to master Golda's mannerisms. She was 66 years old at the time.

Her father encouraged her play-acting and even helped her find funny hats and costumes to dress up in while he photographed her.

Anthony Quinn had said about her: "Sometimes in motion pictures you love someone so much, but it doesn't work on the screen. And you don't like somebody and you're wonderful on the screen. The two greatest talents I worked with were Ingrid and Anna Magnani. But I would prefer to work with Anna Magnani, whom I didn't like, than Ingrid, whom I loved".

Received a fan letter from James Stewart on his way to combat duty for World War II (1943.

One day at the studio she hooked bumpers with another car. A studio policeman found her tugging and heaving with all her might. The policeman said, "Darndest thing I ever saw. First film star I ever knew that didn't mind getting her hands dirty".

Enjoyed working with Gary Cooper, for she did not have to take off her shoes.

Received a fascinating 1939 telegram from the great Greta Garbo, "I would like to see you when I am free, if you would be willing".

Visited Hotel Panamonte in Panama so frequently; her favorite suite was kept on reserve. Flavored with vibrations from Hollywood's "Golden Heyday," her luxurious rooms retain their original décor.

Cannes jury secretary Christiane Guespin was remembering all the different stars at the festival and she said the most impressive was Bergman back in 1973 when she was President of the jury. Guespin said, "Every night, when

卡萨布兰卡(Casablanca)
导演：迈克尔·柯蒂斯
主要演员：英格丽·褒曼，亨弗莱·鲍嘉，保罗·亨利德，克劳德·雷恩斯
《卡萨布兰卡》拍摄于1942年，正值二次世界大战白热化阶段。当时，对同盟国来说，胜利似乎还渺茫，失败的影子还隐约可见。制片人和导演正是抓住了这一契机，拍摄了一部既体现了反法西斯激情，又叙述了动人爱情故事的影片。本片故事情节曲折紧张，叙事紧凑流畅，对话简洁幽默。男主角是潇洒刚强而有神秘感的硬汉，女主角则美丽多情，命运多变。一经放映便取得了巨大的成功，并于1943年获奥斯卡最佳影片,最佳导演和最佳改编剧本三项奖，是电影史上的经典之作。由于当时没有正式的剧本，是一边拍摄，一边在作修改，因此谁也不知道剧情究竟如何发展，褒曼也不清楚她最终会和谁在一起。她既不敢用爱慕的眼光去看亨弗莱·鲍嘉，也不能和保罗·赫里德太过亲昵。影片中，她都是用一种无表情的表情在演绎人物。观众们也只是出于自己的想象觉得她在爱着谁。片中的那首《As Time Goes By》也成为经典名曲。